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"It was all so honest, before the end of our collective innocence. Top Forty jocks screamed and yelled and sounded mightier than God on millions of transistor radios. But on FM radio it was all spun out for only you. On a golden web by a master weaver driven by fifty thousand magical watts of crystal clear power . . . before the days of trashy, hedonistic dumbspeak and disposable three-minute ditties . . . in the days where rock lived at many addresses in many cities." -from FM As a young man, Richard Neer dreamed of landing a job at WNEW in New York-one of the revolutionary FM stations across the country that were changing the face of radio by rejecting strict formatting and letting disc jockeys play whatever they wanted. He felt that when he got there, he'd have made the big time. Little did he know he'd have shaped rock history as well. FM: The Rise and Fall of Rock Radio chronicles the birth, growth, and death of free-form rock-and-roll radio through the stories of the movement's flagship stations. In the late sixties and early seventies-at stations like KSAN in San Francisco, WBCN in Boston, WMMR in Philadelphia, KMET in Los Angeles, WNEW, and others-disc jockeys became the gatekeepers, critics, and gurus of new music. Jocks like Scott Muni, Vin Scelsa, Jonathan Schwartz, and Neer developed loyal followings and had incredible influence on their listeners and on the early careers of artists such as Bruce Springsteen, Genesis, the Cars, and many others. Full of fascinating firsthand stories, FM documents the commodification of an iconoclastic phenomenon, revealing how counterculture was coopted and consumed by the mainstream. Richard Neer was an eyewitness to, andparticipant in, this history. FM is the tale of his exhilarating ride. "From the Hardcover edition.

This book/CD pack explores all the main components necessary for crafting well-balanced rhythmic and melodic phrases. It also explains how these phrases are put together to form cohesive solos. Many styles are covered - rock, blues, jazz, fusion, country, Latin, funk and more - and all of the concepts are backed up with musical examples. The 50 ideas are divided into five main sections: The Basics - covers fundamental but all too often forgotten techniques, such as slurs and vibrato, that can breathe new life into your phrases; Melodic Concepts - explores various aspects of melodic phrasing, such as motifs, chromaticism and sequences; Harmonic Embellishments - discusses the melodic potential of harmonic intervals (dyads), chords and chord partials; Rhythmic Concepts - explores various aspects of rhythmic phrasing, such as accents, free-time phrasing and metric modulation, and how it pertains to melodic soloing; Solo Structure - all of the topics discussed in the book come together to help form the big picture. The companion CD contains 89 demos for listening, and most tracks feature full-band backing. Also available for keyboard, tenor saxophone and trumpet.

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Open Music Model - The Open Music Model is an economic and technological framework for the recording industry proposed in 2003, which suggests that the only viable system for distributing music online is through a DRM-free peer-to-peer file sharing system. It is based on earlier research conducted at the Massachusetts Institute of Technology.

Free Access to Law Movement - The Free Access to Law Movement is umbrella name for the collective of legal projects across several common law countries to provide free online access to legal information such as case law and legislation. Each individual project of the movement also goes by the name Legal Information Institute (LII) and usually prefixed by a country or region indentifier.

Country music - Country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music.

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